Destroyer of Light Chamber of Horrors Review



When a band describe their interests as ”
Warping the space/time fabric with sonic rituals, obliterating minds, crushing the sunlight” you know you need to take those guys seriously.
Austin, Texas stoner doomanauts
Destroyer of Light,
Steve Colca (guitar/vocals),
Keegan Kjeldsen (guitar),
Penny Turner (drums) and
Jeff Klein (bass), are the band in question and on the evidence of their latest offering ”
Chamber of Horrors” ( Heavy Friends Records) it would seem those words have more than a ring of truth to them.

.

A huge metallic crash followed by various other metallic noises introduces ”
Whispers Into The Threshold” a song that could be described as an instrumental if it were not for the unintelligible and unsettling mumblings sitting just beneath the songs dark and achingly low, slow doom drenched two guitar refrain. This refrain, underpinned by thrumming bass lines, thundering percussion and embellished with shards of scintillating guitar colouring, reverberates with a dark mournful menace before slowly gathering pace and suddenly coming to an end on a wave of stuttering riffage.


Into The Smoke” follows, cleverly rearranging the previous tracks stuttering finale as the basis of it’s intro before segueing into a fuzz drenched circular riff overlaid by
Colca’s bear like roar the guitarist/vocalist telling a subterranean tale of being ”
paralyzed and suffocated” and ”
enslaved by the cave-thing” against a backdrop of pounding percussion, distorted bass and sludge thick riffery, the band finally bringing things to a close on a wave of soaring guitar solo’s and howling feedback.

Next up is ”
The Virgin” an astonishing tale of sacrificial murder told in a mix of clean and growled tones over a menacing low doom groove replete with screaming movie soundbytes, Like an
Italian horror movie set to a soundtrack of heavy sludge the song meanders menacingly through a series of differing dynamics and tempos, dragging in it’s atmospheric wake elements of doom, sludge and even a little prog-like complexity.


Twilight Procession” eases down on the throttle and finds the band exploring aspects of serenity and tranquillity in an instrumental piece that has an almost post-rock feel to it. Strangely beautiful and a complete contrast to the doom and sludge that has gone before ,the song serves as a brief respite before we dive headlong back into the swampy doom and sludge of the next track.


Lux Crusher” finds
Destroyer of Light taking a slightly more traditional stoner doom approach to things with
Colca utilising a mixture of clean and guttural tones as he once again tells the story of ritual sacrificial but this time from a victims.


Prisoner of Eternity” takes much the same “traditional” doom path visited on the previous track but this time with a little gothic colouring added to the mix. Heavy, pulverising riffage pushed by grizzled bass and powerful percussion is enhanced by a series of absolutely scorching blues tinted guitar solo’s as well as a superb and powerful vocal delivery


Buried Alive“, a massive tome of atmospheric doom that builds layer by glorious layer closes ”
Chamber of Horrors” with not so much of a bang more the sound of coffin lid slowly closing,.Low slow and extremely heavy, it’s unnerving, superbly dark and macabre tale of living interment is superbly delivered both vocally and musically by all involved.

Themes based around horror and the macabre are often the norm when it comes to the doom genre but rarely are those themes so well told or as vividly imagined as they are on the seven songs that make up
Destroyer of Light’s latest opus. So roll up, roll up, visit your darkest fears and nightmares in the ”
Chamber of Horrors” and be prepared to be afraid …..very afraid!

© 2017 Frazer Jones




When a band describe their interests as ”
Warping the space/time fabric with sonic rituals, obliterating minds, crushing the sunlight” you know you need to take those guys seriously.
Austin, Texas stoner doomanauts
Destroyer of Light,
Steve Colca (guitar/vocals),
Keegan Kjeldsen (guitar),
Penny Turner (drums) and
Jeff Klein (bass), are the band in question and on the evidence of their latest offering ”
Chamber of Horrors” ( Heavy Friends Records) it would seem those words have more than a ring of truth to them.

.

A huge metallic crash followed by various other metallic noises introduces ”
Whispers Into The Threshold” a song that could be described as an instrumental if it were not for the unintelligible and unsettling mumblings sitting just beneath the songs dark and achingly low, slow doom drenched two guitar refrain. This refrain, underpinned by thrumming bass lines, thundering percussion and embellished with shards of scintillating guitar colouring, reverberates with a dark mournful menace before slowly gathering pace and suddenly coming to an end on a wave of stuttering riffage.


Into The Smoke” follows, cleverly rearranging the previous tracks stuttering finale as the basis of it’s intro before segueing into a fuzz drenched circular riff overlaid by
Colca’s bear like roar the guitarist/vocalist telling a subterranean tale of being ”
paralyzed and suffocated” and ”
enslaved by the cave-thing” against a backdrop of pounding percussion, distorted bass and sludge thick riffery, the band finally bringing things to a close on a wave of soaring guitar solo’s and howling feedback.

Next up is ”
The Virgin” an astonishing tale of sacrificial murder told in a mix of clean and growled tones over a menacing low doom groove replete with screaming movie soundbytes, Like an
Italian horror movie set to a soundtrack of heavy sludge the song meanders menacingly through a series of differing dynamics and tempos, dragging in it’s atmospheric wake elements of doom, sludge and even a little prog-like complexity.


Twilight Procession” eases down on the throttle and finds the band exploring aspects of serenity and tranquillity in an instrumental piece that has an almost post-rock feel to it. Strangely beautiful and a complete contrast to the doom and sludge that has gone before ,the song serves as a brief respite before we dive headlong back into the swampy doom and sludge of the next track.


Lux Crusher” finds
Destroyer of Light taking a slightly more traditional stoner doom approach to things with
Colca utilising a mixture of clean and guttural tones as he once again tells the story of ritual sacrificial but this time from a victims.


Prisoner of Eternity” takes much the same “traditional” doom path visited on the previous track but this time with a little gothic colouring added to the mix. Heavy, pulverising riffage pushed by grizzled bass and powerful percussion is enhanced by a series of absolutely scorching blues tinted guitar solo’s as well as a superb and powerful vocal delivery


Buried Alive“, a massive tome of atmospheric doom that builds layer by glorious layer closes ”
Chamber of Horrors” with not so much of a bang more the sound of coffin lid slowly closing,.Low slow and extremely heavy, it’s unnerving, superbly dark and macabre tale of living interment is superbly delivered both vocally and musically by all involved.

Themes based around horror and the macabre are often the norm when it comes to the doom genre but rarely are those themes so well told or as vividly imagined as they are on the seven songs that make up
Destroyer of Light’s latest opus. So roll up, roll up, visit your darkest fears and nightmares in the ”
Chamber of Horrors” and be prepared to be afraid …..very afraid!

© 2017 Frazer Jones


When a band describe their interests as ”
Warping the space/time fabric with sonic rituals, obliterating minds, crushing the sunlight” you know you need to take those guys seriously.
Austin, Texas stoner doomanauts
Destroyer of Light,
Steve Colca (guitar/vocals),
Keegan Kjeldsen (guitar),
Penny Turner (drums) and
Jeff Klein (bass), are the band in question and on the evidence of their latest offering ”
Chamber of Horrors” ( Heavy Friends Records) it would seem those words have more than a ring of truth to them.

.

A huge metallic crash followed by various other metallic noises introduces ”
Whispers Into The Threshold” a song that could be described as an instrumental if it were not for the unintelligible and unsettling mumblings sitting just beneath the songs dark and achingly low, slow doom drenched two guitar refrain. This refrain, underpinned by thrumming bass lines, thundering percussion and embellished with shards of scintillating guitar colouring, reverberates with a dark mournful menace before slowly gathering pace and suddenly coming to an end on a wave of stuttering riffage.


Into The Smoke” follows, cleverly rearranging the previous tracks stuttering finale as the basis of it’s intro before segueing into a fuzz drenched circular riff overlaid by
Colca’s bear like roar the guitarist/vocalist telling a subterranean tale of being ”
paralyzed and suffocated” and ”
enslaved by the cave-thing” against a backdrop of pounding percussion, distorted bass and sludge thick riffery, the band finally bringing things to a close on a wave of soaring guitar solo’s and howling feedback.

Next up is ”
The Virgin” an astonishing tale of sacrificial murder told in a mix of clean and growled tones over a menacing low doom groove replete with screaming movie soundbytes, Like an
Italian horror movie set to a soundtrack of heavy sludge the song meanders menacingly through a series of differing dynamics and tempos, dragging in it’s atmospheric wake elements of doom, sludge and even a little prog-like complexity.


Twilight Procession” eases down on the throttle and finds the band exploring aspects of serenity and tranquillity in an instrumental piece that has an almost post-rock feel to it. Strangely beautiful and a complete contrast to the doom and sludge that has gone before ,the song serves as a brief respite before we dive headlong back into the swampy doom and sludge of the next track.


Lux Crusher” finds
Destroyer of Light taking a slightly more traditional stoner doom approach to things with
Colca utilising a mixture of clean and guttural tones as he once again tells the story of ritual sacrificial but this time from a victims.


Prisoner of Eternity” takes much the same “traditional” doom path visited on the previous track but this time with a little gothic colouring added to the mix. Heavy, pulverising riffage pushed by grizzled bass and powerful percussion is enhanced by a series of absolutely scorching blues tinted guitar solo’s as well as a superb and powerful vocal delivery


Buried Alive“, a massive tome of atmospheric doom that builds layer by glorious layer closes ”
Chamber of Horrors” with not so much of a bang more the sound of coffin lid slowly closing,.Low slow and extremely heavy, it’s unnerving, superbly dark and macabre tale of living interment is superbly delivered both vocally and musically by all involved.

Themes based around horror and the macabre are often the norm when it comes to the doom genre but rarely are those themes so well told or as vividly imagined as they are on the seven songs that make up
Destroyer of Light’s latest opus. So roll up, roll up, visit your darkest fears and nightmares in the ”
Chamber of Horrors” and be prepared to be afraid …..very afraid!

© 2017 Frazer Jones

When a band describe their interests as ”
Warping the space/time fabric with sonic rituals, obliterating minds, crushing the sunlight” you know you need to take those guys seriously.
Austin, Texas stoner doomanauts
Destroyer of Light,
Steve Colca (guitar/vocals),
Keegan Kjeldsen (guitar),
Penny Turner (drums) and
Jeff Klein (bass), are the band in question and on the evidence of their latest offering ”
Chamber of Horrors” ( Heavy Friends Records) it would seem those words have more than a ring of truth to them.

.

A huge metallic crash followed by various other metallic noises introduces ”
Whispers Into The Threshold” a song that could be described as an instrumental if it were not for the unintelligible and unsettling mumblings sitting just beneath the songs dark and achingly low, slow doom drenched two guitar refrain. This refrain, underpinned by thrumming bass lines, thundering percussion and embellished with shards of scintillating guitar colouring, reverberates with a dark mournful menace before slowly gathering pace and suddenly coming to an end on a wave of stuttering riffage.


Into The Smoke” follows, cleverly rearranging the previous tracks stuttering finale as the basis of it’s intro before segueing into a fuzz drenched circular riff overlaid by
Colca’s bear like roar the guitarist/vocalist telling a subterranean tale of being ”
paralyzed and suffocated” and ”
enslaved by the cave-thing” against a backdrop of pounding percussion, distorted bass and sludge thick riffery, the band finally bringing things to a close on a wave of soaring guitar solo’s and howling feedback.

Next up is ”
The Virgin” an astonishing tale of sacrificial murder told in a mix of clean and growled tones over a menacing low doom groove replete with screaming movie soundbytes, Like an
Italian horror movie set to a soundtrack of heavy sludge the song meanders menacingly through a series of differing dynamics and tempos, dragging in it’s atmospheric wake elements of doom, sludge and even a little prog-like complexity.


Twilight Procession” eases down on the throttle and finds the band exploring aspects of serenity and tranquillity in an instrumental piece that has an almost post-rock feel to it. Strangely beautiful and a complete contrast to the doom and sludge that has gone before ,the song serves as a brief respite before we dive headlong back into the swampy doom and sludge of the next track.


Lux Crusher” finds
Destroyer of Light taking a slightly more traditional stoner doom approach to things with
Colca utilising a mixture of clean and guttural tones as he once again tells the story of ritual sacrificial but this time from a victims.


Prisoner of Eternity” takes much the same “traditional” doom path visited on the previous track but this time with a little gothic colouring added to the mix. Heavy, pulverising riffage pushed by grizzled bass and powerful percussion is enhanced by a series of absolutely scorching blues tinted guitar solo’s as well as a superb and powerful vocal delivery


Buried Alive“, a massive tome of atmospheric doom that builds layer by glorious layer closes ”
Chamber of Horrors” with not so much of a bang more the sound of coffin lid slowly closing,.Low slow and extremely heavy, it’s unnerving, superbly dark and macabre tale of living interment is superbly delivered both vocally and musically by all involved.

Themes based around horror and the macabre are often the norm when it comes to the doom genre but rarely are those themes so well told or as vividly imagined as they are on the seven songs that make up
Destroyer of Light’s latest opus. So roll up, roll up, visit your darkest fears and nightmares in the ”
Chamber of Horrors” and be prepared to be afraid …..very afraid!

© 2017 Frazer Jones


Warping the space/time fabric with sonic rituals, obliterating minds, crushing the sunlightAustin, TexasDestroyer of LightSteve ColcaKeegan KjeldsenPenny TurnerJeff KleinChamber of Horrors

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Whispers Into The Threshold
Into The SmokeColca’s paralyzed and suffocatedenslaved by the cave-thing”
The VirginItalian
Twilight Procession
Lux CrusherDestroyer of LightColca
Prisoner of Eternity
Buried AliveChamber of Horrors


Destroyer of Light’sChamber of Horrors

Source: Desert Psychlist